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Our First Blog Giveaway!

Chrissy Gardener, sock designer and fellow Portlander has graciously agreed to give away an autographed copy of her book, \”Toeup!: Patterns and Worksheets to Whip Your Sock Knitting Into Shape \” from our blog.

I will provide 430 yards of Araucania Itata, a wool/silk/bamboo fingering weight yarn you will need to make your first pair of socks. Just tell me the color!

I took Chrissy\’s Toe-Up! sock class last year and I loved it. Her explanations are clear and direct. Chrissy was originally a computer programmer and I feel that her logical mind helps people who are learning a new skill.

Each pattern contains several sizes worked out for you, so many can be done for your whole family. For you adventurous, more advanced knitters, this book provides options to change up each pattern with worksheets in the back of the book. I highly recommend the book and the class if you ever have a chance to take it from her.

Plus, Chrissy\’s just really nice.


If you would like to enter our giveaway, just become a follower of our blog using whatever method is convenient for you: google friend connect, twitter or email. All options are listed in the right column of the blog. In any case, please also email me your name and contact information and the yarn color you would like should your name be selected at janwin98@comcast.net, just in case. I don\’t want to lose anyone!

If you are already following: to enter, post a comment instead and email me your information. I will not share your information with anyone–this is for the contest only and afterwards, I will delete all contact info.
On May 6, 2011, we will announce the winner on the blog.

Thank you so much for reading our blog! Our next blog story will be coming out in time for your Saturday morning coffee.

Janelle, The Knitting Muse

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A Funny Thing Happened on the Way to the Dental Office: From Solitary to Solidarity

Let’s talk about the power of knitting. The greater event, International Yarn Bombing Day (and let’s not forget the simultaneous Knitting in Public Day) brings people together, yes—but as those of you who knit know, it is not exclusively the event per se that is the cause of the solidarity. No, there is something inherent in the art of needlework that seems to do it. I have witnessed this time and again already in my short time so far as a knitter.
In 2008, I graduated from college with a degree in dental hygiene. A few months later, my license came in the mail and I was anxious to go to work. After working for a little while in temporary positions, I went to work in a permanent, full-time one at an office close to my home where there were great people.
They made me feel incredibly welcome, and we all became fast friends. That November, I began knitting. I was bringing projects to work with me, talking about how much I was enjoying it. At first, the other 11 women in my office thought my new hobby was really great for me—just me. But slowly, something none of us could have foreseen was happening. The people around me became curious.
At first my friends would say, “That is so cool!” when I would bring in a baby blanket in simple garter stitch. But after a while, the comments turned into, “How do you do that?” Then, “I used to knit years ago…” as they gazed in nostalgia at my sloppy beginner’s work, which was riddled with errors.
It wasn’t long before people began to act. One gal, we’ll call her Sally—who had apparently been holding back—finally revealed that she had been knitting since she was a small child and has knitted ever since. Now there were two.
Then one day Susie (also not her real name) announced that she was going to the craft store and had a coupon. She asked Sally and me what materials she should buy if she wanted to learn how to knit. The next day, Susie appeared at work with bamboo needles and some acrylic yarn. Susie was a quick learner and soon was cranking out scarves like she was working in a high-production factory. Now Susie, Sally and I were becoming even closer friends. And we couldn’t contain our excitement about knitting, either.
We giggled at work, talked hurriedly about our projects when we had time and began keeping little knitting project bags in our rooms at work, just in case. After that, it spread like wildfire (I like to call it a “staff infection”). One by one, almost the entire staff was knitting or trying to learn. We decided that we should form a club. We began casually meeting on our days off, going out to lunch and learning from each other. Some of us started taking classes, joining the Raverly website and buying books. We took “field trips” to local yarn shops, oohing and aahing over the beautiful yarns and patterns we would find.
Before we knew it, our club had regular meetings on Wednesday mornings and Friday nights once a month with alternating days. We are currently planning a trip to the Oregon Convention Center for Sock Summit. One of the girls in our club owns a sports shop that also does monogramming and is getting us matching T-shirts to wear.
The art and excitement of knitting has been just too much to contain—it is bigger than us. We recently began assembling a basket for our office waiting room, complete with needles, yarn and instructions on knitting, just in case anyone would like to give it a whirl.
Patients come in to see us, hear us talking about our favorite hobby and begin sharing their experiences with us. They return to their next appointments, projects in hand. They often come early to visit or stop by to drop off patterns to us they like. Many of them have also joined our club.
As the months and now the past two and a half years have passed, we all have gained such special friends. We have learned so much about knitting—and about each other—from this common thread of interest. Just because of two sticks and a string.
What is this magic? Do we innately feel our ancestors, those amazing people who figured out how to weave fibers together reaching through the years to us? Do we collectively wish to carry on this fine tradition through some strange evolutionary process? What compels us? Some examples are easier to figure out. Take wartime knitting for example.
During WWI and WWII, the people of the United States were asked to band together—there apparently were not enough knitting machines—to knit socks and under-helmet head coverings for soldiers. People from all walks of life were knitting like crazy. At home and in public—churches, schools, absolutely anywhere in an act of helping one another.
It would be easy to say that those folks were knitting second, showing solidarity first. And in that case, it is most likely true. But I would wager that those same people went on to continue knitting, finding friends wherever they went, knitting first, finding community second, albeit in different settings than those of wartime.
In any case, the closeness knitters feel is a mystery to me. A wonderful mystery. I would encourage anyone who has not reached out to others in your craft to do so. You have no idea what you may find.
**Anyone curious to know more about knitting war efforts can click on the photo in the right column of this blog. It speaks more about Washington state specifically, but is still a very interesting read.
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Yarn Bombing Informational Websites

Seriously, though, here are some helpful websites if you are interested in knowing more about yarn bombing, want to commit yarn bombing or want to write a song about yarn bombing. Hey, is there an anthem, yet?

Knitting in Public Day
http://www.facebook.com/event.php?eid=203657876328052

International Yarn Bombing Day on Facebook
http://www.facebook.com/pages/International-Yarn-Bombing-Day-June-11th-2011/104441312968198?sk=wall

Yarn Bomb Website
http://yarnbombing.com/

Any others I missed? Please send me your links if you would like them posted here.

Oh, yes … how about this one?
http://prairiehome.publicradio.org/

Thanks for reading!

The Knitting Muse, I do my own stunts

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Yarn Bombing Garrison Keillor

I am madly infatuated with Garrison Keillor.
I may not fall into the same fan category as the women who obsessively follow Robert Pattinson from the Twilight movies, weeping black tears that stream down their cheeks and onto their “Team Edward” tees upon seeing him at movie premiers, but make no mistake: I have a crush on Mr. Keillor, no matter how quiet mine has been.
In fact, it has been so quiet that my friends may be surprised to know that he is right up there, for me, with Collin Firth’s Mr. Darcy. And Collin Firth’s no slouch. Why would I consider trading the tall, dark, handsome and mysterious Mr. Darcy for a 68-year-old-man 6’3” with nosferatu-like fingers and albeit charming but Pekineseque face?  (since one is a fictional literary character and one is a man who has never seen me, either chance is slim…)
In 1995, I was transplanted to Minnesota, many miles from the fir trees and mountains of my Oregon birthplace to the very different landscape—and climate—of the upper Midwest. I knew no one but my family.
I was not lonely, exactly. I love new places, but I felt a constant element of social disequilibrium. I felt out of place. Then I found MPR, Minnesota Public Radio—and consequently A Prairie Home Companion with Garrison Keillor. It was a very unusual show to me—a comedy variety show recorded in front of live audiences, most often in St. Paul. It was very entertaining and quickly became my favorite weekend pasttime.
It was my secret outsider’s view into the private jokes of Minnesotans, their interesting insights on life in their great state and wonderful ways. At first, I laughed along because, really, the show was funny even to an outsider—after all, who can resist a good public service announcement from “The Board of Ketchup?” But the more I listened, the more I felt a part of the inside jokes.
I loved that I began to understand the jokes about the weather and how people felt compelled to go out for milk in blizzard conditions just to prove how tough they were. Soon, I was rolling with laughter with the rest of the radio audience at the thought of Norwegian bachelor farmers making baking powder biscuits that were pure, mostly. I was so in.
I thrived. I made friends, I bought a snow-blower, I put snow pants on my kids before sending them to school and I learned how to say “hot dish” instead of “casserole.” I stopped gigging inside every time someone said, “You betcha.” I started saying, “You betcha.” I knew the rules. 
Garrison Keillor, with his steady, deliberate baritone guided me through these things. He was wise, insightful, learned. He was charming and just the sound of his voice riveted me. It still does.
Garrison Keillor is still on the radio today, and his show has been running almost as long as I’ve been alive. He is still my link to his great state, and I still think so fondly of him.
Recently he announced he will be retiring soon, so I felt an unreasonably urgent need to see my crush doing his show live at least one more time. Then, out of the blue, something wonderful happened.
The other day my good friend from college, Anna, emailed to say that he is coming to do his radio show live in upper Washington state—and at one of our favorite wineries, no less! I practically ran out in the street upon receiving this news. I told the neighbors (I restrained the urge to knock on doors), I told friends, patients at work … even strangers at the grocery store were not immune to my excitement. 
The best part of all: He is coming on my birthday — June 11.
Yes, International Yarn Bombing Day. I realized this only about a week after Anna’s email. It was a terrible day.
I love knitting as much as I love Garrison Keillor, though obviously in a different way. I can’t believe how it has changed my life over the past two years. I have new wonderful friends, an emerging skill and the incredible satisfaction of being able to create things in such an amazing way.
The culture of knitters is equally as appealing to me as the craft itself. People from absolutely any walk of life or place in the world will come together like the oldest of friends once they realize they share the common interest.
Case in point: A few months ago at my son’s school play, a woman, a complete stranger, approached me and asked with restrained excitement, “Did you make your sweater?”
“Yes!” I said, surprised that someone wondered such a thing. I was getting that hopefulness common to all crafters.
“Your hat, too?” She was getting more excited, her eyes locked with mine. She could see the connection. Now, she was nodding, anticipating my answer.
“Yes! How did you know?” Of course I knew.
“I knit, too!” She could hardly contain her excitement anymore. We were pals—that was it. We started talking as fast as we could as though we had been high school friends and had only been given a few minutes to catch up, exchanging ideas, patterns and yarns we liked. When the lights went out for the play, we had almost forgotten that our kids were on the stage.
Not wanting people to think we didn’t care about our kids, we dutifully took ours seats. For an hour and a half, we glanced across the room every once in a while. I think we were trying to maintain the connection so the magic would not be lost.
It’s that kind of camaraderie that still amazes me and makes the Yarn Bombing events so incredible.  To think that we, as knitters, across the world will be united in so many acts—which really culminate into one act—of beauty nearly brings tears to the eyes.
The women in my knitting club have been abuzz about the concept for months and now are excited about the event. What to do?
In my college ethics class, we called this an ethical dilemma: two good choices with conflicting outcomes. Do I choose to see the man who was my friend when I had none and now secretly admire from afar to help send him off with a thank you before he retires even if he has no idea I am attending his show, or do I join a worldwide effort to make the world a warm, fuzzy and more beautiful place, bringing joy to millions?
When faced with dilemmas like these in a college ethics class, the steps to resolve the conflict begin with listing the stakeholders. Let\’s take a shot at it. Here are mine:
  • Me
  • Garrison Keillor
  • Everyone in the world plus an army of selfless knitters and crocheters
Then we list the possible outcomes for each stakeholder of each scenario. Scenario #1:
I go to see A Prairie Home companion
  • Me: I see the man of my dreams while sitting next to my husband on my birthday. I feel guilty the entire time because I should be enriching people’s lives with yarn bombs.
  • Garrison Keillor: Doesn’t even know who I am
  • Everyone in the world plus an army of selfless knitters and crocheters: Don’t even miss me, but bring a lot of joy to the world that I am not a part of.
Next, scenario #2:
I go with my group to do some Yarn Bombing
  • Me: I am distracted because I am missing seeing Garrison Keillor. I feel sorry for myself because it is my birthday.
  • Garrison Keillor: Doesn’t even know who I am
  • Everyone in the world plus an army of selfless knitters and crocheters: Get the same amount of work done as they would without me because I am useless.
There is one final scenario, #3. Let’s list the pros and cons.
I go to see Garrison Keillor while also making a yarn bomb showing at the show. I wear everything I have knitted and make a knitted chair cover for my plastic chair. Under my hand knits I wear my knitting club tee that says “Team Garrison” on the front and on the back, “What happens at Knitting Club Stays at Knitting Club.”
  • Me, pros: I participate simultaneously in both events.
  • Me, cons: Worst-case scenario, I am removed by security for having knitting needles and generally looking like a potential stalker.
  • Garrison Keillor: Hears a small commotion from the back row, goes on with the show. Doesn’t know who I am.
  • Everyone in the world plus an army of selfless knitters and crocheters: Get the same amount of work done as they would without me because I am useless.
After reviewing this information several times and giving it much thought, I will just have to risk show security. I already bought the tickets. Love makes you do crazy things.
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Leopards and Caramelized Priests: Ridin’ With the Homies

Long ago and far away—last week—I was in my Monday night class at church. I always come straight from work and I always bring my knitting. Two projects: one tiny and one bigger project. If I need to be discreet, depending on the seriousness of topics in class, I will knit on my socks, for example. No need for a pattern or large, clicking needles, I reason. If I can knit freely, like during announcements, I get out the afghan. (I really prefer the afghan nights because no one seems to have ever been able to figure out how to turn the heat on in the church and I like to lay it over my legs.)
Truth is, whatever I am working on, I just listen and focus better if I am knitting. My concern is not really about what I will or will not learn, it is about being a distraction to others or offensive to that nights’ speaker.
Because the class is one that is open to the public, people can drop in from other churches or just out of curiosity can come in to check it out from the community. This can make for very interesting and lively discussions. It can also be a recipe for hilarious happenings—at least to me.
Rhonda, one of my old friends, always meets me at the class after work. She comes from another dental office here in town, I come from mine. We both come tired and starving and begin the evening by bellying up to the 8 foot, faux mahogany banquet table that is laden with sugary, fatty snacks and weak church coffee provided by some hardworking ladies from the church hospitality group.
We give thanks for their efforts with each maple frosted sandwich cookie and bag of Doritos we stack carefully to make the most of tiny Chinette dessert plates. When we can no longer balance anymore cholesterol and corn syrup bombs, we mince carefully and slowly, weaving in and out of a small, milling crowd, now and again readjusting the angles of our hands so as not to spill our treasures. We take our seats at the meeting table.
The class is arranged in a square shape. There are 8 bare tables matching the one with the goodies buffet.  They are put together so that the evening’s speaker can stand up front behind two tables, positioned end to end, and participants can sit at the remaining six tables forming a U around the two at the front. People sit around this U and try to arrange themselves so that everyone can see.
We sit not in front or back, but on the side of the U. There is a nice woman to my left, she could block my view as she is about my size, but I tell myself it should work this time. I just want to sit.
Everyone settles in and as our speaker for the night gets up, I try to determine what level of discretionary knitting I will be doing. Rhonda sees my hesitation and pokes me. She leans into me and whispers, “Don’t you know how many women in this church do this sort of thing? It’s totally fine!!”  I watch the speaker for a moment, looking for some sort of cue.
Our speaker this evening is our deacon. He is a 50-something man with a gentle expression. He is very educated and very keen. His knowledge is vast and anytime he speaks, well, people listen.
It’s always so riveting—it brings my mind back to Sunday school when I was a child. I loved the stories of Moses and the Isrealites dearly. Once when I was about 9 or 10 years old, the topic in that class was their 40 years in the desert. I listened so intently that I sat with my mouth gaping, unwitting. 

 After several minutes of this, drool began to string out of my mouth and onto the heavily lacquered wooden table about 7 of us were sitting around. I had been so engrossed that I didn’t even notice until a pool was already forming. One of my friends saw it before me and giggled, looking back at me from her more forward position at the table. I jerked up, quickly slurped and wiped my mouth, then the table, and probably both with my sleeve.

I don’t want any of that tonight, so I listen for a moment, thinking. The topic is Jesus in the desert for 40 days. I cringe at the number alone, again recalling grade school humiliation. Ok, knitting it will have to be. Socks. If I am busy, at least there can be no drooling. I do what Rhonda had advised and get out my socks. I stick an extra bamboo, double pointed needle tightly into my French braid, so as not to lose it since I planned on using 4, not 5 tonight.
Deacon begins with a prayer and I look around the room as we all stand, then sit. There are the usual people I know in varying ages and dress, and then there are some new ones I don’t. There are also two whom I have seen in the past—they sort of wander in and out of class. When they are there, they are the sort of people who speak to no one socially, but have lots to say during class, interrupting often and loudly. Sometimes what they have to say has nothing to do with the teachings. I wonder if they are perhaps just lonely, odd people.
The first is a woman. She has been to class about three times. I wonder why she comes. She is always so convinced of her own opinions that I am not sure why she comes to a class that is supposed to be instructive. She argues now and again with deacon and does not back down. We always have to move on by just changing the subject.
She is probably about 60, but looks much younger than her years. She is very small in frame and is dressed very well in a close fitting black skirt and button up blouse—the top button is undone. She has shared in the past that she loves talk radio, and will sometimes quote things she hears there. Her voice is somewhat gravelly, like maybe she once was a smoker, but is now in the process of healing from an old habit. She sits on a solitary chair out the square, straight and prim, hands neatly folded. Once I sit down, I can no longer see her very well, except for her frosted, coiffed short-haired wig that is just tall enough to peek over the head of the person blocking my view of her.
I then turn my attention to the other semi-stranger. This one is a man with short hair that stands up as though it had been in a hat all day and then mussed in an attempt to hide the fact. There are two shades of grey. No one would fake that, I muse. He has small eyes behind wireless rimmed, round spectacles. He is overweight, but leaves on his very bulky nylon coat so it is hard to see his figure. As he sits down, he sinks his chin into his neck, creating several chins. He slouches deeply into the chair. At least he is at the table.
When he speaks, he uses an incredibly slow, deliberate cadence. It is as though he wants to be sure everyone hears it all. He clearly has spent a lot of time devising his comments. His voice is nasally, but baritone.  I know this well, even though he hasn’t been in class much because it leaves quite an impression on me. I look over at Rhonda.
We both smile—she is looking around, too. Are we thinking the same thing? I settle into knitting and Rhonda gets out a note pad for us both. We scribble notes down as ideas come so as not to forget any remarks we would like to interject—that is, given a chance.
Deacon begins and we talk about the parallels between the temptations of Christ in the desert and the people he meets following that experience. This takes about 30 minutes and I am surprised at the lack of comments so far—the woman sits in the corner, seems like she is listening tonight. The grey man slouches deeper into the chair. Will he fall off? Is he sleeping?
Then we begin the topic of the woman at the well. Deacon speaks of her being a Samaritan and how she is an outcast, being a woman married 5 times. In her culture, this was not accepted and she came to get water alone. Jesus was a Jew and for him to speak openly to her—especially alone—was possibly a great risk to his reputation. As we got into the story, I sort of noticed Deacon glancing at my knitting every once in a while. I moved a little behind the woman to my left.  She was closer to the front. I hoped he just was concerned that I would distract people.
I kept watching the two semi-strangers.
Rhonda sat straight as she always does, pen poised in her right hand, ready to write.
Then the comments started.
Suddenly, as if she had prepared a speech, the tiny wig lady launched into a little speech. Jesus was afraid to speak to no one. After all, he affiliated himself with prostitutes. She quoted several scriptures to back her information up. “And,” she went on as if this was the coup d’état, “he EVEN was not scared of touching leperds.” She breathed, relaxing triumphantly. What?
Long silence. The leperd woman read this as triumph.
I looked at Rhonda and whispered, “Lepers? Leopards? Leperds?” Other people were mouthing the same conversation to one another.
“Yeah, she said ‘Leperds.” She wrote it down. Stealth, I thought. Knit knit knit….where were those cookies?
Deacon forgave quickly her grammatical error and went on to speak more about the concept of loving the unlovable.
The man from the back undid his accordion of chins, “Uh, Deacon I know this might be off the subject a little, but I didn’t ever hear nothing about those caramelized preachers before. What does that mean? Caramelized?”
Deacon paused for a moment.  Everyone giggled. A group of Carmelite priests had come to visit the church recently. He realized what the man meant and patiently explained that they were a religious order. They were the priests you might hear of traveling as opposed to being the sort who stay and work in one parish.  The man seemed satisfied.
Rhonda wrote down, “caramelized.” Me: knit knit knit…..deacon glanced at me. I was crunching up an empty chip bag in my hand, now orange from the bag’s contents. I had started giggling about the notes we were taking. I had written back, “That’s why they stick together…” Rhonda scribbled, “It’s also the reason they wear brown.” I licked my fingers. I smacked a little more loudly than one is usually allowed in polite company.
Deacon went on to talk about the disciples traveling around with Jesus and how they were behind him when he was at the well with the Samaritan woman. They came up later.
More questions came, varied in content and the story was really getting broken up. Rhonda and I were whispering now, I wasn’t even listening anymore, but my mouth and fingers were flying.
The woman in front of me started to look back at us. She was still diagonally situated between me and the front of the room. I wasn’t the problem anyway, was I?
Jorge, one of the youngest members of our little eclectic group was to my extreme left, down the table. I could not see him. He always has the best comments, insightful and seasoned beyond his years. He has wild, wooly hair and smart, dark eyes. He is a gentle soul. As deacon was trying to regain control in a room that he usually commanded, Jorge raised his hand (… which he always does. I think it is because of his still-close proximity to school age).
Deacon, looking relieved, hoping for a solid comment, said, “Jorge!”
Jorge said contemplatively, “So, let me get this straight.” Yes, Jorge, get us back on the path, I thought.
Knit knit knit…crunch, swallow…what did I think I was doing, watching a movie?
He went on, “So, Jesus was just ridin’ with his homies and then there was this woman he wasn’t supposed to talk to ….”
That was it. The dam broke. Rhonda and I began writing all sorts of sentences all over the paper …
“Jesus rides with his homies, the Caramelized priests.”
“Caramelized priests make better riders ‘cause they stick to the seat.”
“Leperds like to eat caramel …”
On and on this went. Glance from deacon….
I went back to knitting.  Sigh. These weird people! Where do they come from? I am shaking my head in disbelief.
Deacon’s glance had turned into a gaze. “Is there something you would like to share?”
I choked a little on the first chip from a new bag of Lay’s I had opened. “No,” I rasped.
I sank down mentally. No more notes. I glanced at the woman to my left. I size her up after she looks away from me—she also had been staring at me.
Sigh … next week, I decided, I would have to sit behind someone bigger.
After reading this story, ask yourself some questions. I’ll give you some suggestions; talk amongst yourselves:
  1. In the class, who is there to really listen and learn?
  2. Who are the disruptive participants? Is one a standout?
  3. Who is judging whom? Anyone deserve it? Anyone not?
  4. Did the writer include these questions stemming from an unnatural need to be liked, trying to make the story mean something in the case someone would be offended?
  5. Does the narrator have good intentions?
  6. What are the parallels between grade school and adulthood? What do they mean?
  7. What is the significance of the number 40?
  8. What is the airspeed velocity of an African swallow travelling across the Atlantic from England to America if it is carrying a coconut? Use the space below to work your answer. Neatness counts. No calculators.


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Tina\'s Knitting Journey: 0-60 in 3 seconds

My friend Tina is a hottie. No, really.
Several of us knitters work at the same dental office here in Vancouver (how that came to be is another story, but I digress …) We wear scrubs. Every day. Every single, blessed ever-lovin’ day. On workdays, we are all what I am going to call “Scrub Sallys,” women who all begin to look alike as though we were throwbacks from Mr. Roger’s “Planet Purple.” We are a sea of brown or black in lab coat white wrappers.
When we are not working, we become ourselves again and break out into different categories: Business Bonnies, Dowdy Daisies, Suzy Sports and the coveted, the prized: Hottie Harriets. While people naturally fall in and out of these categories in fluctuation, depending on what each day calls for, I frequently—and unfortunately for those who must associate with me— could be called a Dowdy Daisy. Especially lately.

I have been developing a bad habit of going everywhere in outfits the folks on “What Not to Wear” would love to secretly videotape and play back to me during a humiliating public display. Until that fateful day—and the $5,000 shopping spree from the show—I remain a Dowdy Daisy. Even now I have on yesterday’s hurriedly applied makeup and sweats that I slept in. Yes, I may be doomed. But not everyone does this.

Other girls, like Tina, absolutely transform in “Hottie Harriets” instead and turn heads everywhere they go. Tina has decided that her days off are an opportunity to express herself. She shows up to Wednesday morning knitting meetings freely tossing around long, lovely and thick chestnut hair and flashing a bright smile from a perfectly peachy, creamy complexion. She is quick with a smile or a laugh, and she is infectiously youthful.
She wears great clothes. Tina can pull off knee-high leather boots over tasteful indigo jeans and top it off with a knitted babydoll top that dances around the rest of the outfit as if to say, “Doesn’t this look great?” And it does.
Tina is also a great mom and wife and has a husband and 13-year-old son at home, John. John and his mom are close and it is evident to anyone who sees them. He is a good kid and does what his mom says, working on his grades, dutifully doing homework and chores. Tina loves to make her family things, and one day at work, she became curious about my recent (at the time) obsession with knitting.
We were in the lunchroom where I, and some other converts, were knitting. It’s what we love to do on our breaks—knit, talk about knitting, examine each others projects, look at patterns on the Internet. Tina wanted me to show her what I was doing. She has a technical mind and was fascinated by the precision of knitting. (Well, mine wasn’t very precise, I think she could just see that it was a possibility.)
I showed Tina a little bit that day, and she took off. She went home and hit it hard. She worked for 8 hours on casting on and off, she stayed up late into the night with a YouTube video figuring out the difference between knitting and purling. She spent hours at my house working on a scarf with ribbing, committed completely to learning the stitches. That last part may have been the blind leading the blind, but she figured it out anyway.
People she loved rapidly became the recipients of her work. Other ladies at work got wraps, she sent her mother in Texas a really great hat that was a vintage-style throwback to the old rain bonnets like the plastic ones my grandma used to carry in her purse for emergencies. Most of all, Tina was excited to make things for her husband and son. She bought yarn for them and made John hats and scarves with such skilled exactness that they looked machine made. It was an incredible feat of skill and determination. All of us at work who watched it were amazed.
Her son, who had been quietly watching this activity, had said nothing. His mom had been working hard and he noticed. Still, he dutifully did his chores and homework, said very little, while his young mother was working her fingers over and over stitches and needles.
Until one day when Tina was sitting on the couch with another scarf pattern, which would allow her to practice another new stitch. She was absorbed in her work. He was absorbed in her. He stood for several minutes in the doorway to her left where she could not see him. Then he meandered into the room and slowly, still watching, sat next his mother on the couch. He watched for several more seconds. Then his demeanor changed.
John sat up straighter, made an adult expression of approval. She saw him out of the corner of her eye. The moment was coming when he would tell her, she guessed, that he wanted to acknowledge her work. To thank her for the hours she spent on him. Tina waited for her son to congratulate her on learning such a beautiful skill so quickly, deepening their relationship with his hearfelt appreciation.
John turned to his mother so that now he faced her squarely. He said, “Good. Now my children will have a traditional grandmother.”